Wednesday, 10 September 2014

Remember This - a short film I co-produced


Remember This was orchestrated as the final year creative enterprise project/practical dissertation of my peer Matt Coot. I co-produced Remember This in return for securing Matt's assistance to co-produce my final year creative enterprise project EYES.

I enjoyed producing Remember This, as it was very different to EYES


As there was not enough time for Matt to complete a polished final cut, he ended up submitting a rough cut which was awarded a first. However, one year and one broken Macbook later (and after a great deal of nagging from me) he has finally completed his final cut.

And here it is...



While the film does tell an engaging story, I do still have a few issues with the final cut (mostly technical), but, meh, it's Matt's film at the end of the day, he can do what he likes. Ultimately, it's good to have it finished finally!



Behind the scenes

I was heavily involved with the organising and co-ordination of Remember This during the pre-production phase before Christmas (Oct - Dec), but in the New Year I devoted more of my time to my own projects. However, throughout the whole process of making Remember This, my producing role was consistently concerned with motivating the members of the project and keeping everything on schedule. I also offered additional technical support during the production phase.

For more information on my 
devil's advocate role in the making of Remember This, please see the feedback videos below. I made these videos as feedback for Matt's portfolio, but they also act as my reflections on my producing role for Remember This...



I was also the photographer for the production: Remember This - Production Photographs

I'm sure you'll remember this, now why not take a look at my final year creative enterprise project...

EYES - A Web Series Concept Proposal Package

Monday, 8 September 2014

Planning and Making a Film: The student filmmaking experience

VERY IMPORTANT POINT, DON'T DIE WITHOUT READING THIS FIRST! Regardless as to what an "expert" may tell you, choosing to do something because it interests you is the absolute best reason to undertake something. Trust me, when someone is lying on their death bed you never hear them complaining about how they should have earned more money or put more of an effort into being on time for work.


A bit of an explanation...

Planning and Making a Film was a filmmaking module that I undertook in the penultimate year of my BA (Hons) degree at Bath Spa University. The module's practice was undertaken between October 2011 to June 2012 and it provided me with a hugely enriching experience. It went on to earn me a very high first for the module, together with an assertion from the module tutor: "to do more filmmaking!" 

"the point of the module and learning to 'tell an engaging story'. In order for you to be able to reflect on the value of what you did and how you might do it again you needed to do it in the first place. In respect of this goal you have succeeded...  This is a fantastic piece of reflective writing. I am hugely impressed. Thank you and well done." 
- Mike Johnston, module tutor, marking feedback

What I have finally got round to presenting here is pretty much every piece of work and reflective analysis that I generated for the module. Some materials were already posted on this blog from when I was originally undertaking the module and many other pieces have now been added, with the current post acting as an overview that links to all the other posts.


The cast and crew of our submission film.


I have been wanting to put this up for a while now, because when I undertook the module I had no agenda in terms of doing well out of it's studies and I believe that what I have put down here can serve as encouragement for other like-minded film students to go on to achieve their potential.

A great many people become disillusioned with university after they graduate, but I had been disillusioned with it from day one; so much so that I had already restarted my first year and then at the beginning of my second year (actually my third year), I began to wonder if I should quit university altogether. Ultimately, I was just seeing less and less value in possessing a degree and in exploring filmmaking any further...

Checking the light levels on our submission film.

Before undertaking Planning and Making a Film, I had already dabbled with filmmaking, I had made one short film (once I have finished assembling the new soundtrack, I will put that first film up too), four documentaries (one of these might get posted up) and had cut together various other micro-videos of my friends clowning about (add me on Facebook). These previous projects had mostly been done when I was doing my A-Levels, a period when I had a definite agenda and appetite to do more with my filmmaking.

However, when I eventually did come to university, I had lost my focus and my filmmaking dwindled with it. From time to time, I would shoot the odd thing here or there and edit it together, with my friends always telling me to do more filmmaking, but I always brushed off their assertions because I did not feel there was any value in filmmaking. 


A directing masterclass we did as part of the module.



While I did go on to do very well out of the Planning and Making a Film module, unlike what many people have assumed, I did not have an agenda with the module; in fact, I did not expect to gain anything substantial from the module (mark-wise or content-wise), I did the module purely because it dealt with an area that interested me. 

Also - VERY IMPORTANT POINT, DON'T DIE WITHOUT READING THIS FIRST! Regardless as to what an "expert" may tell you, choosing to do something because it interests you is the absolute best reason to undertake something. Trust me, when someone is lying on their death bed you never hear them complaining about how they should have earned more money or put more of an effort into being on time for work.

Just do what interests you and, you never know, after a bit of blind hard work with that interest, you might just get something truly substantial from it...

"Wow Peter - you have written a dissertation length reflection which exceeds the length you were asked to do. However in terms of reflection and evaluation I really can't fault it... this is without a doubt the best reflection on the module I have read. Full stop."  
- Mike Johnston, module tutor, marking feedback

My final reflection was my summation of the module as a whole and what I had learned from it. When I wrote it, I just put down what had accumulated in my head while I had been undertaking the module. As it was a summation of all the stuff I had to say, the problem with the reflection is that it got to a point where it became very hard for me to edit it down, so I just submitted it anyway. 


Doing the edit for our submission film.

As the final reflection was vastly over the required word count, I thought I had fucked up the whole module... but nothing changes until something moves (Einstein said that), so it might as well have been the word count. Ultimately, my final reflection is not just the stuff I needed to say, it is also stuff that I needed to read - I did have potential!

Ultimately, after I had finished the module and received my monumental marks and feedback, I found myself with a new incentive to revitalise my filmmaking focus and to start taking my potential a little more seriously. 

Hopefully, you will do likewise.

You can read my full feedback here: Planning and Making a Film - Marking Feedback



A bit of an overview...

The module itself is primed towards installing each student with an understanding in regards to how to produce a visually engaging short film as part of a larger production team. The module achieves this by breaking down and reflecting upon the entire filmmaking process, through a number of practical exercises that culminate in the production of an assessed submission film. 

The contents of the materials I generated for the module focus on all the module elements that were covered in the academic year in which I undertook it, these include: 

Equipment training - has to be done

Film form and filmmaking practices - breaking down what had come before

The Eager Student - a practice scene exercise

Group working and collaboration - hugely invaluable skillset

Where will it all stop - a practice short film exercise and the process of doing it

Feedback - it's how you know whether or not something stinks

Script development - various different script ideas

Production management - it's how everything is co-ordinated

One Door Opened - the submission short film and the process of doing it

Busybody - my highly regarded submitted script and the adaptation that was produced

Reflection - what you are about to read as...



A bit of a contents page...

The dissertation length reflection that I produced for the module has now been broken down into a number of different posts, as indicated by the subheadings from the original submission, they are pretty self-explanatory.

I crammed as much as I could into this final reflection and it really is my treatise on the module as a whole, if you want the juice, then this is where you'll find it!
















A bit of a chronology...

While we were undertaking the module, we were encouraged to submit a number of practice reflection posts on a group blog and, in addition to this, I also produced a number for my own blog. I have now collected all of these posts and presented them here in chronological order in regards to when they were posted. Therefore, the following 28 posts, together with the 12 that make up my final reflection, all come together to form one narrative reflection on the module, from its beginning to its end.

You can either access the posts by following the links here or you can work you way chronologically through them by clicking on the following post link that I have now placed at the bottom of each post.























If you are not too strong on story-and-script development then the following posts might be worth a looking. If there is one thing that I would say is lacking from my final reflection on the module, then it is the in-depth analysis of script development that is covered in the following 6 posts.








A bit of a side note...

There were two other scripts that I developed while I was undertaking the module. These were never intended to be used in the module as they were developed for my housemate who was toying with the idea of doing a fictional short film as his final year creative project. Ultimately, he elected to do something else, but the script ideas I developed remain...



While they did not figure prominently in my focus on the Planning and Making a Film module, they still had some bearing on my script development in the module.

Additionally, you can also view some additional adaptations of my Busybody script that were produced as the follow year's practice films for the module...

Busybody: The other adaptations


A bit of a end-choice...

I'll let the past version of me take over from here...

Telling a story: The Eager Student - for the beginning of my dissertation length final reflection

Dissecting the short form: Pete's 5 short films - for the very beginning of the module



A bit of a sequel...

If you would like to learn about how I further developed my filmmaking, following on from the Planning and Making a Film module AND what I learned from those further explanations, have a look at the documentary project I co-created in the Short Form Documentary module the following year...


And/or have a look at the web series concept proposal package that I created for the Creative Enterprise Project module, a practical dissertation project that was awarded the highest mark of the module...

Developing a Script, Part 3: Submission Draft - Busybody

Busybody is the submission script I wrote for the Planning and Making a Film module I undertook in the penultimate year of my BA (Hons). The module's practice was undertaken between October 2011 to June 2012 and it provided me with a hugely enriching experience. For a more detailed over of the module and the projects I undertook as a part of it, see Planning and Making a Film: The student filmmaking experience.

In the following video I discuss the process of formulating the script and offer some advice on generating ideas and constructing original stories. 


YouTube's stabilisation algorithm got a bit confused with this upload.


Feel free to have a read of the script that was submitted: Busybody - a short film script

Or skip ahead to the beginning of my final reflection on the module: Telling a story: The Eager Student

Friday, 5 September 2014

Busybody - a short film script

Busybody is the submission script I wrote for the Planning and Making a Film module I undertook in the penultimate year of my BA (Hons). The module's practice was undertaken from October 2011 to June 2012 and it provided me with a hugely enriching experience. For a more detailed over of the module and the projects I undertook as a part of it, see Planning and Making a Film: The student filmmaking experience.

While I always wanted to develop the script further (lack of time), I am still extremely happy with the narrative idea it explores and I was even lucky enough to see it get played out, as my script was selected by one of the production groups to be their submission film, see The First Adaptation: Busybody

Additionally, the script was adapted a number of further times the following year, as it served as the basis of that year's filmmaking module practice short film. 




So Busybody was submitted as my script for the module and it went on to be adapted by one of the other production teams, to find out what script my production team selected as our submission short film, have a read of my highly regarded final reflection post, which starts with...

Telling a story: The Eager Student

P.S. a short film script

This script was originally written for the Planning and Making a Film module I undertook in the penultimate year of my BA (Hons). The module's practice was undertaken between October 2011 and June 2012 and it provided me with a hugely enriching experience. For a more detailed over of the module and the projects I undertook as a part of it, see Planning and Making a Film: The student filmmaking experience.

The writing of the script was a very unique experience, as (aside from a bit of post-polishing) I wrote the script completely stream-or-conciousness in a single sitting. Certainly, I think this freewriting style comes across in the subject matter and the pace of the script. 

The script was written for the script submission element of the Planning and Making a Film module. 

For more on the development of this script, see Developing a Script, Part 2: Rough Draft - P.S.




Ultimately, I elected not to redraft this for my final submission and settled on another script idea, that went on to be a script that grew some legs within the module: Developing a Script, Part 3:  Submission - Busybody

Thursday, 4 September 2014

It's a Wonderful Christmas - Documentary idea (sort of)

This is one of nine documentary ideas I had to come up with for the Short Form Documentary module.

Yeah, make of it what you will...


Why is it interesting?

As we celebrate it today, Christmas is a very complex thing; it is no longer just about celebrating the birth of Christ, it's acquired so many other elements. If you pick apart Christmas you see that it is this great amalgamation of so many different elements, from so many different traditions of so many different cultures. But people don't celebrate it as an international event, nobody sees that, Christmas has just become about celebrating consumerist madness and I think that is a terrible shame! Even in our economically challenged times most people still spend ridiculous amounts of money on Christmas. Why? Save your money, cut down - it's completely irrational! Not only that, everyone buys into the established template of Christmas, you move from house to house and every Christmas is exactly the same, every year - everyone buys a flat packed Christams. I think, because Christmas is this great hybrid of so many different elements of traditions and cultures that people should celebrate Christmas on their own terms, as big or as small as or as religious or as un-religiously as they want. You shouldn't just buy into something because that is how it's always been and it's what everyone else does. At the moment, Christmas is peer pressure on an unprecedented scale and the true meaning of what Christmas can be is lost on most people because it has become so bloated and familiar it's like it's invisible, nobody can see it anymore.


What will you add or what will we learn?

I realise this is quite a vast idea for a 6 minute documentary, but I think my rant provides multiple options to be explored further on their own. You could even disagree with what I've said and argue that people do celebrate Christmas on their own terms. However, the way I think it should be done would be to find somebody who celebrates the flat packed Christmas and someone who celebrates Christmas on their own terms. Then compare and contrast the two approaches to determine just what Christmas is, how complex it actually is and encourage people to make their own minds up about this very strange thing called Christmas. I think Christmas has been allowed to grow into a great big commercially bloated monster for far too long now. In short, it needs to be contested and it needs to be reassessed!